Home Feedback Contents Search 

Latest News
Competition
S'pore Salsa Chat
Classes & Workshops
S'pore Salsa Photo
S'pore Salsa Video
Foreign Teacher Class
Can I Dance?
Notes 4 Beginners
Free Video Clips
36 Salsa Routine
Rueda Command
Different Styles
Salsa Stories
Video Tapes 4 Sales
Dance Shoe 4 Sale
Links
Other Dances
Volunteers

Salsa Tips for Beginner

 

Tips for the Guys

Be gentle with the ladies.

Watch out for them when you dance, make sure no one step or bump into her

Do no dance like a big foot

 

Tips for the Ladies

Hand always up

Lock your shoulder, relax your elbow on turns

Always follow the guys beat even if you know he is off

Do not anticipate move

Do not lead the guy

Do not grab their hand, hood them

 

Dance Etiquette

Preparing for the dance
You'll probably be dancing in close contact with a lot of people. Be fresh and clean when you start. Try a little dab of cologne or perfume to make things pleasant. Keep in mind that some people are allergic to strong perfumes and colognes. If you perspire a lot, try wearing an undershirt. If that is not enough bring a hand towel and one or more clean shirts. When dancing, fresh breath is a must. Breath mints, sprays, etc. are a good first choice. Gum is second choice. Avoid onions, garlic, and such since they affect your breath adversely for a long time.

The dance invitation
If you would like to dance with someone, go up to him/her, excuse yourself if necessary, and ask the person to dance. If you are a woman who feels uneasy asking men to dance, stand near the dance floor, look like you want to dance, and smile rather than sitting down away from the dance floor feeling and appearing bored and blue. If you are a man and are uneasy about asking a woman to dance, look for a lady who is standing near the dance floor and looks like she wants to dance.

Starting a dance
It is customary to escort your partner safely onto the dance floor.

Finishing the dance
Be sure and thank your partner after each dance. It's just as important to escort your partner safely off the dance floor, as it is to escort your partner onto the dance floor.

Turning people down
If you must turn someone down (because you are tired or for your own personal reasons) thank the person for asking. If you are tired, offering to dance with them later might be appropriate. If you tell someone you are tired or you are just resting, do not dance that song with someone else. Even if it is your favorite dancer, explain politely that you just turned someone down and they will understand. What goes around comes around! If you don't ever want to dance with that person, perhaps, you may want to try giving him/her a polite hint why.

Monopolizing a good dancer
If a top dancer comes to your area, don't be afraid to ask them to dance. They are there to dance. Do give others the opportunity to enjoy these same moments that you have. Do remember that these people also need a little break every now and then, especially if you notice that they have been dancing non-stop.

Interrupting conversations to ask someone to dance
Many people feel that if you are not dancing, you are available to be asked to dance. Some people gauge availability to dance by how close you are to the dance floor. If you do not want to dance, want to converse and not be interrupted, or just need to take a break and rest, move away from the dance floor to the edge of the room or go outside. If you feel that you must interrupt, be sensitive to the level of intensity of the conversation. If it seems to be small talk, excuse yourself before asking the person to dance and if they acquiesce, allow them a few moments to gracefully finish the conversation.

Teaching while dancing
Unless specifically asked to do so, don't. It's very rude! Besides, you didn't ask your partner if they wanted a private lesson, you asked them if they would like to social dance. Before you start giving out advice, consider that it might be your lead or follow that caused the problem.

Dancing at your partner's level
For lead and follow couple dances, the goal is to make sure that your partner has a good time, not to show off. Watch their face, if they are smiling or laughing, they must be enjoying the dance.

Bumping into or stepping on other dancers
Be aware of what's going on around you and adjust your dancing to fit. If space is tight, take smaller steps and don't do all your hot moves (on other people's feet). ALWAYS acknowledge and apologize to someone you bump into or step on.

Apologizing to your partner
This is usually unnecessary. Don't worry about blowing a lead or not following all the moves perfectly, remember it was not done intentionally. Enjoy yourself and try it again. Relax, it's only dancing.

Dancing close
This is generally determined by the woman. Men need to hold and guide the woman and she will determine how close she feels comfortable dancing with you. Different people have different spatial requirements, both men and women need to respect that.

What to say and do at the end of a dance
Thank your partner for the dance and perhaps compliment him/her. Then either ask for the next dance or walk each other off the floor.

When there is a live band
After they finish a song, be sure to applaud and show them that you like what they are doing. A happy band plays better.

When there is a Deejay
If you enjoyed the choice of music he/she played, or if you got to dance to a lot of your favorite tunes, go up to them and let them know! Remember that a good Deejay is a professional who takes pride in his work. He/she spends lots of time and money researching and finding the most danceable tunes. Their job is to keep the dance floor crowded with as much variety as possible. Also, put a dollar in their tip jar to show you liked what they played or if you request a specific song. They will appreciate it (and it seems to make them smile).

Teaching during a group dance class
DO NOT, I REPEAT DO NOT DO IT! It is not only rude to the student, but it is rude to the teacher. Be quiet and pay attention, usually when you start giving advice is when the teacher passes out that hint or tip your partner needed, but could not hear over your voice. If you are having difficulty, stop and get the teacher or assistant's attention and ask them for help. Do not be afraid to ask questions. That is how you get answers. Concern yourself with your part, which is why you are there, you don't know what your partner is supposed to do. You are just guessing. Consider the fact that in most cases, the one passing the blame is the one at fault. It is quite possibly your lead/follow, not your partner's that is the problem. If all else fails, ask the "expert" to please be quiet and worry about their part, so that you can hear the teacher.

Rotating
Many people believe that they can only learn or get better with their own partner. In fact, the opposite is true. When you stay with the same partner, usually one or the other will compensate for their partner's mistakes. That makes the one partner think that he/she is doing it correct. When they try to dance with someone else, they can't understand why that person can't lead/follow like their partner. That is because they don't know all their little idiosyncrasies. Rotating also teaches you to adjust to different partners, like when you get one on a lower level than yourself, as well as a more advanced dancer. When the teacher calls "Rotate", do not try to sneak in just one more. Thank your partner and let them go. You will not only get the line to move much faster, but you will get to dance more and maybe even get a better one.

Sharing The Dance Floor (tmj)
It is good dance etiquette is to share the dance floor and respect fellow dancers, flow dancers, swing dancers, and couple dancers. During times when the floor becomes crowded, dancers should adjust step size accordingly to leave room for their fellow dancers, even those that are doing a different type of dance. If the floor becomes too crowded for everyone, we should take turns.

Sometimes, a few dancers seem to feel that they 'own' the floor during times when the floor is crowded. These people seem to feel that it is ok to take up extra dance floor. Those that bump into you, step on you, and so on without any apology are exhibiting bad dance etiquette.

When it comes to mixing line dancing, flow dancing, swing, and so on, a fair way to share the floor seems to depend upon the size and layout of the floor and the dance floor usage policy of the dance floor owner.

In some cases, a large enough floor can allow flow dancers to travel around the out side of the line dancers with some space left over for the swing and couple dancers to use between the line dancers at the center and the flow dancers on the outside. Alternatively, the middle part of the floor can be divided into two sections, 1 for line and 1 for couples leaving the outside for flow dancers.

The dance floor usage policy, once agreed upon, should be posted and/or easily available to the dancers.

In summary, it seems that good use of the floor would depend upon the floor layout, the dances chosen by those that want to use the floor, how many dancers want to use the floor, and any guidelines by the owner of the dance floor. During times when the floor becomes crowded, dancers should adjust step size accordingly to leave room for their fellow dancers and/or take turns using the floor.

 

 

 

Common Question and Answer

 

Question

I love salsa and I love dancing it. The only problem is that I can't do a lot of turns . I know how to dance it a little bit and I look all right but I want to get better . I always watch other people dancing and I want to learn more moves but I don't know how. I do all the same moves all the time?

Answer
First of all, if you’ve decided that fancy turns will be your very own Salsa style, than so be it. Let there be no limitations in the Salsa/Mambo Kingdom. However, you must keep in mind, that Salsa is not about fancy turns and tricks. It is simply listening and moving to the feeling and spirituality the rhythm brings to your heart, mind, and body. There are some people who prefer NO turns. They just love the feeling and sensation of the music coupled with holding another human being close. Don’t ever think that women will not enjoy dancing with you if you don’t do all those fancy turns. On the contrary, fancy turns stress a lot of women out. Believe it or not, most women would prefer simplistic, rhythmic, stylish moves over complex turns that could cause an injury.

But, if you still want to learn more turns, and you’re not having much luck picking up new turns at clubs, nor finding good instructors, then I suggest you buy or rent some west coast swing and ballroom videos. They are chalk full of fancy turns and tricks. You can taylor them to suit your Salsa street dancing style. There have also been many times when my partners and I have just simply "made up" turns while joking around on the dance floor. Having a blast with friends, and uninhibited playing around on the dance floor sparks TONS of creativity. You’d be surprised what you come up with if you and your partner just let your minds go wild…

Question
I really want to take dancing classes, but at the same time I'm really nervous because I can't dance at all. I'm not flexible at all when it comes to moving and dancing. Do you think that maybe I should order videos first before starting any lessons? I love to listen to music, but it comes to dancing I get really embarrased. I know I'm going to be a stubborn one to learn, but I want to do it."

Answer
This is what you should do.

bulletStop worrying about your abilities as a "dancer". The dance is just a walk. That’s all. If you can walk, then you can Salsa.
bulletIf you are embarrassed to be seen in a group class with others, take a private lesson or two, three, or four. This springs your confidence like you would not believe.
bulletGo to a club to WATCH - AND STUDY MOVES .
bulletJust enjoy the music, watch the great Salseros, and take very good notes.
bulletContinue your privates, and take a group class or two once you gain a bit more confidence.

Question

My goal is to become an excellent follower and get through a song without causing a major stop and restart. I'd like to be able to follow well enough to dance an entire song through smoothly and joyfully. How important is it for the female to know all the routines/moves a male could lead you into in order to accomplish my goal. Or is it just knowing many but always be able to let go and "be lead?"

At this point, I think my weakest skill is understanding what the male wants in terms of turns and arm movements. For instance, sometimes the man will lift my arm in what seems to me to be a request to turn left or right, whatever, but really its meant to place my arm, or hand, around his neck. I hesitate to blame the male dancers, but sometimes I think this may be where a little firmness helps, or at least be quicker about where the lifted arm/hand is going

Answer
You’ve accomplished 50% of what it takes. The other 50% is making sure you keep the rhythm, keep your basic, and MASTER YOUR RIGHT AND LEFT TURNS. Why? Because 90% of the time, the woman turns much more than the man does. I sometimes feel like I do over 100 turns in a single song. I’d really be curious to see if anyone has actually counted how many times, on the average, a guy will turn a woman during a single song….

You don’t need to worry about memorizing moves. The guy’s job is to lead you through everything. As a woman, all you need to do (in the beginning) is just keep the rhythm and the basic. With practice, and going out often enough, being a good follower will eventually become second nature. I always tell people "I’m a professional follower".

The most important thing you should expect from your first couple privates is developing a solid basic step and right and left turn. Keep in mind that the dance is simply a walk - no bouncing, or hops on one foot or the other. It’s a simple "walk, walk, walk….. walk, walk, walk". 1,2,3…. 5.6.7…. or, if you were dancing on "2", it would be 2,3,4, …. 6,7,8. Don’t bob up and down or swing your arms around. Don’t leave your arms hanging down straight at your side. Just walk to the rhythm, and keep your arms bent in front of you in a jogger’s position. Don’t make this dance any more difficult than it already is. In fact, the less you try, the better you look. Relax, have fun, feel the rhythm enter your body, and enjoy it.

Warning. Because you are taking lessons from a male instructor, do not, I repeat, DO NOT expect every guy out there to be as good as your instructor. Do not expect your instructor to dance with you at clubs either. Do not get spoiled by your instructor and develop an "attitude" of only dancing with the best dancers. Do not openly compare your instructor(s) with other instructors at a club. Do not just stick with one instructor. Take privates from many different instructors, both male and female. Lastly, dance with EVERYONE - not just "the best" dancers. This is the only way you’ll learn to develop your style, and still have a blast, even if none of the great Salseros show up one evening. Good luck to you.

 

LEARNING SALSA FROM THE BEGINNING: A MALE PERSPECTIVE

My first experience with Salsa dancing was strictly as a spectator only. I was completely taken in by the music and dance; it left a lasting impression to be sure. I did grab a friend of mine to teach me the basic step; that was all she knew actually. But it was enough. So I decided, like many of the you fellows, to test the waters with a group class - what an ego deflator! Many of the women in the class looked and felt like they had been dancing this for years, and some even seemed annoyed by my lack of skill in leading them. Even worse, I was flanked by guys who looked like they already knew what they were doing.

It’s easy to get excited about a new interest, but the reality of learning the new skills can be hard to swallow. Realizing it takes more than one lesson to be a good Salsero, I had a decision to make. Do I really want to invest the time, and ego bruising, to learn this well? All right, it took 2 seconds for me to answer that question, but the thought of quitting did streak across my mind. This is the pivotal moment for a novice in any field. The ones that forge ahead get results, the others get discouraged and fall away. Don’t be part of the second group!

Private lessons proved to be crucial in breaking through the first confidence barrier. I strongly recommend at least two or three privates in the beginning if you want to accelerate your learning. I ended up taking a dozen or so of these before visiting a group lesson again. Big difference. You’ll definitely be more relaxed and focused coming back from private instruction from a good teacher. New steps come to you faster, you retain more, and you start to develop a feel for how to move a women around your frame. I still have a long way to go, I’m a perfectionist by nature, but taking enough classes provides a clear path for your future progress.

PROGRESSING FROM THE BEGINNING

As in anything, there are Great Salsa dancers and there are Good salsa dancers. Great dancers can command the floor anywhere, and few reach this level. However, even good dancers can be impressive to the casual spectator; this is a fact that should make the beginning practitioner of salsa very happy. Why, you ask? Because I believe that becoming a good dancer, salsa included, is a VERY realistic goal for 98% of the general population. It means that with good teaching, some mental focus, and practice, one can attain a level of dancing that’s fun to participate in and fun to those watching.

Its the effort of moving from, let’s face it, a poor partner dancer to a good one that sidelines most who quit. As I’ve stated in my salsa story, a confident and strong lead becomes a must for the man. A good male lead can often improve the appearance of an average female; the reverse is less common however. I’ve heard several good teachers say that this puts the male dancer several months behind the female at the very beginning (I’m assuming a man who has had no prior partner training at all, salsa or otherwise). This is unsettling for the beginner who goes to his first group lesson and finds the women kicking his tail around the floor with the intermediate movements! Just a friendly warning.

That’s the bad news. Now for some good news. It usually takes just a few lessons, private preferred, before a man gains enough experience to attain a beginning feel for leading a partner. At this point you are way ahead of the man who never partner dances, and never takes a chance to try. A few weeks of practicing and you could probably lead a female dancer quite well. Nothing impressive just yet, but enough to really start to enjoy the salsa sounds . A worthwhile beginning goal I believe. Which leads us into the next topic.

GOALS

What do you expect from your dance experience? How good a dancer do you want to be? Are there dancers that inspire you ( if so, talk to them. If they’re friendly, they might give you some valuable advice and instruction)? How much time are you willing to invest to make your dancing better?

Someone once told me there are two types of dancers: those that dance for how it makes them feel, and those who dance because they like to perform around others. The first type likes to dance for what it brings to themselves and their partner, while the second type is just as concerned with how others view their dancing. Of course, in the real world no one is solely one type or the other. But even still, be true to your own personality. If you want glitz and flash, then find instructors who add this to what they teach. If you’re more conservative( is there such as thing as a conservative salsa dancer?), find an instructor that better suites this perspective in their teaching style. The goal here is to build a realistic mental image of what you want to become with your dancing.

Finally, determine what amount of time you can and will invest to learn salsa. Forget people who brag that they are naturals. ALL GOOD DANCERS PRACTICE. They practice with their partners, with other partners, by themselves, and at different clubs and venues. This is exactly what makes them so good. So taking the time to practice is a must if you are going to improve.

How much time you spend depends on how quickly you want to learn. Some dancers spend several hours practicing for every hour of instruction they receive. At this rate, it won’t take but a few months before you’re in an intermediate group class leading the women quite nicely. I wouldn’t take less than one group lesson per week for the first two months to attain this, and at least two or three privates to tighten things up. If you can’t manage this kind of time investment, do what you can, but set the time goal nonetheless.

THE PARTNER

Find a regular one! That’s the best advice I can give. It’s unsettling at times to come back from a lesson, excited about the dancing you’ve done, and find yourself practicing with coat racks and upright lamp fixtures. You need a female to make the mistakes along with you, challenge your lead, tell you when you’re applying to much pressure, compliment you when your "doing it right", and learn along side you. If she can accompany you to the lessons, even better. Else, at least find the time to practice with her.

The partner doesn’t have to be a significant other. Although girlfriends and wives are natural choices, some of us single unattached fellows have to consider other options. Sisters are good choices if you have one, as long as you don’t become abusive with each another. Family can be that way. Else, there are always female friends; if you’re shy about this, get over it! You’re going to have to ask women at the clubs to dance, so you might as well start with the women you do know. If all else fails, well, you always have those women you meet at lesson time. Ask them if they’d like to practice before or after the lesson for a few minutes. It’s actually easier than at a club because they’re obviously there to learn just like you.

CONFIDENCE

A brief word on confidence. Your confidence grows with your experience and skill. The first time I visited the Club, you couldn’t get me to ask a woman to dance; I was not comfortable with my ability to dance Salsa well. So I had to wait for the high energy, top 40 "intermission". After I had the opportunity to practice and dance with enough partners, the apprehension goes away. There’s a saying in the military- you don’t rise to the occasion, you always default to the level of your training. In other words, you’re only as good as the practice you bring to the dance floor already. So, once again, practice what you’ve learned. Sorry to beat a dead horse.

FINAL NOTE

Let’s face it guys, women don’t take the time to dress to impress and go to clubs just to be lead by novices. I know this isn’t always fair to the men, considering the time it takes to develop leading skills, but that’s the breaks. It isn’t easy on the women either to sit around waiting for confident male dancers to ask them to dance either. This isn’t anything new to dancing. Girls do ask men for dances. Guy you should just ask the girl, let them decide on their own weather if they would like to dance with you. It will be a good idea to get to know a better dancer, have a chat with them, break the ice before you ask for a dance.  The idea here is good to go to the club as often as you can, dance and practice as much as you can

 

 

 

Happy Dancing

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Send mail to webmaster@xenbar.com with questions or comments about this web site.
Last modified: October 09, 2003